SEX HYSTERIA THE END (2025)
Credits
Director: Logan Rice
Creative Director: Claire Schmitt
Written by: Jessie Murph & Claire Schmitt
Video Commissioner: Alexa Zeliger
Director of Photography: Gus Bendinelli
Production Designer: Electa Porado
Production Company: LEFT
Executive Producer: Adam Armesto
Co-founder: Boris Labourguigne
LEFT Assistant: Blanche Larenaudie
Post-Production Company: RIGHT
Editor: Lucas Moesch
Editor: Logan Rice
Sound Design & Mix: Christophe Daigle
Colorist: Avery Niles
Color Producer: Vic Brandt
Visual Effects: Real by Fake Columbia Records
EVP, Video Production: Bryan Younce
Video Coordinator: Yessmeen Moharram
Management / Artist Team
Management – Disruptor Records
Artist Management: Adam Alpert & Julie Leff
Social Media: Natalie Esposito
Artist Stylist: Danyul Brown
Artist Makeup: Sandy Ganzer
Artist Hair: Danny Newsham
Stylist Assistant: Haley Lux
Set PA Team
Key PA: Milosz Monicki
PA: John Crawford
PA: Tyler Vani
PA: Brett MacNeill
PA: Erin Young
Wardrobe
BG Wardrobe Stylist: Angie Jayasinghe
Wardrobe Assistant: Lilyana Khoshaba
Wardrobe Assistant: Jessie Wile
Wardrobe Assistant: Brianna Funk-Clements
VFX Team
VFX Producer: Cynthia Mourou
VFX Supervisor: Samuel Boisvert
VFX CG Supervisor: Simon Lachapelle
VFX Project Manager: Noémie Jacques
CG Artist: Jean-Emanuel Tremblay
FX Artist: Antoine Blanc
Comp Artist: Randy Santandrea
Comp Artist: Francois Trudel
VFX Editor: Dario De Bettin
Production Management
Line Producer: Travis Richel
Associate Producer: Connor Brown
Production Manager: Sarah Ruest
Production Coordinator: Sarah Pufek
Assistant Directors
1st AD: Darrell Faria
2nd AD: Cowin Poon
2nd AD: Aimee Shaw
Locations
Locations Manager: Justin Darmanin
ALM: Spiros Kourtelessis
Camera Department
1st AC: Christopher Raucamp
2nd AC: Paul Vilchur
Film Loader: Ben Dabu
Video / VTR
Key VTR: Kristian Wood
VTR Assistant: Makar Bougaev
Stunts
Stunt Coordinator: Scott Milton
Electric Gaffer: David Griff
BBE: David Rajsic
Electrician: Jackson Green
Swing / Package Driver: Mitchell Benjamin Gall
Key Grip: Jose Gonzales
BBG: Ivan Karaulov
Grip: Nathan Reinholds
Grip: Juan Carlos
Hair & Makeup
Key HMUA: Sierra Elliot
HMUA Assistant: Gabriella JovellanosSFX Makeup: Summer O’Grady
Intimacy Coordinator: Mimi CôtéSound Recordist: Nathan Street
BTS Photo/Video: Nick Norstrom
Cinesupport Driver: Paul Le Febour
Ecotrailer Driver: Ron Goodison
Starline Trailer Driver: Paul Aguiar
Starline Trailer Driver: Steve Lewis
Cast
Young Jessie: Isabella L.
Mother: Kate Clark
Barrel Racer Fan: Tessa Lee Bailey
Masked Man / Robber: Isaac River Towell
Older Male: Ewen Van Wagner
Younger Male: Nathan Samuel Laska
Jessie’s Lover: Teddy Coffey
Female Lead Dancer: Born Sarah Ackman
Choreographer / Male Lead Dancer: Lukas Malkowski
Art Department
Prop Buyer: Emi Maruyama
Set Dresser: Graeme Pypher
Set Dresser: Pablo Cosme
Set Dresser: Taiwo Odunlami
Set Dresser: Seine Pak
Set Dresser: Pixie Juni
Elegy of Descent (2024)
This short dance film explores parenting as an endless tumble down a mountain—a journey that dives back into the uncertain wonder of childhood, where everything feels both strange and familiar. It’s the kind of fall that takes your breath away, holds it, and refuses to let go. But this time, you are the adult.
6min / film
starring Lukas Malkowski & Taiyu
Director Jasmine Ellis
Choreographer Lukas Malkowski
Director of Photography Ray Demski
Camera assistant Thomas Schermer
Production Thuma Rat & Tat Kulturbüro
Produced by Jasmine Ellis Projects & Bad Posture Productions
Supported by: Unterstützt durch das NATIONALE PERFORMANCE NETZ – STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz.
I do not wish to be known as a Vandal (2023)
I do not wish to be known as a Vandal is a 40-minute, audiovisual installation work from musician Sam Slater, performer Lukas Malkowski and Theresa Baumgartner. Spanning 40 minutes in length in its original iteration, Baumgartner presents Vandals, a short excerpt of the stunning film that functions as a moving image metaphor for failure, pain and resolve in the face of both. Captured in ultra slow motion with four high speed cameras, the work follows Malkowski, standing naked, falling on his face before picking himself up and returning to his original position. “It’s about defeat and failure, like seeing a car crash in slow motion, watching someone falling, watching the point of no return and then hurting themselves by falling on their face,” explains Baumgartner. “But it’s also watching the rebuild process, returning to point zero again, very slowly.” Slowed to a barely perceptible crawl, through a process of A.I.-enabled upscaling each frame of the film takes on the quality of a Caravaggio oil painting, each second of chiaroscuro amplified in a moving portrait.
takeoff (2021)
Actions, consequences, ambitions, and circumstances.
How do we move when we are faced with unstoppable forces? This film originally stemmed from Lukas Malkowski’s solo: ‘Unresisting Force’, presented at Citadel + Compagnie’s NIGHTSHIFT festival (2019). Filmed by Jubal Battisti, the work features an original score by Blunt Chunks (Caitlin Woelfle-O’Brien), and lighting design by Chris Malkowski.
Direction: Jubal Battisti
Performance, Concept & Choreography: Lukas Malkowski
Music: Caitlin Woelfle-O’Brien
Lighting Design: Chris Malkowski
Funded by the Federal Government Commissioner for Culture and Media within the framework of the initiative NEUSTART KULTUR, aid programm DIS-TANZEN by the Dachverband Tanz Deutschland
Lukas Malkowski 